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Jurassic Park Movies Ranked

8/1/2025

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From Steven Spielberg's masterful 1993 dinosaur film to the inferior Chris Pratt trilogy, I ranked all seven Jurassic Park / World movies from this prehistoric Hollywood franchise. Enjoy! — Arnold At The Movies


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Every Wes Anderson Movie Ranked

7/15/2025

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Wes Anderson is one of the greatest filmmakers of all time. Known for his distinctive filmmaking style, which features rapid pans, tilts, and zooms. Anderson's films widely study themes of grief, coming-of-age, and dysfunctional families. Blended with colorful visuals and rockin' soundtracks, Anderson's eccentricity bleeds through his body of work. I have been a huge fan of Anderson's work my entire life, and I deeply love every one of his movies. Here, I rank all 13 of Anderson's feature films. Enjoy! — Arnold At The Movies


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2024 Podcast Reviews

6/24/2025

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In 2024, I was invited to be a guess podcast reviewer with Mashley at the Movies six times. My good friends, Matt and Ashley, have been reviewing movies since 2018. I highly recommend listening to their reviews and follow them on X and Instagram at @mashleymovies. Below are the six podcast reviews I did. Enjoy!


2024 Podcast Reviews on Mashley at the Movies

12 Days of Christmas: Feast of the Seven Fishes

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12/24/24

 13 Days of Halloween: The Old Dark House 

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10/24/24

 Best of 2024 (so far)

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7/12/24

 The First Omen 

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4/17/24

 Dune: Part Two 

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3/2/24

 The Best Movies of 2023 

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1/26/24
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Mission: Impossible Ranked

6/3/2025

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For nearly 30 years, Tom Cruise’s Mission: Impossible franchise has delivered some of the most thrilling and nerve-racking stunts ever captured on film. The M:I franchise is one of the greatest film franchises ever created. Here, I ranked all eight M:I films from 1996 to 2025. In my humble opinion, there are no bad M:I films. In Ethan Hunt we trust. — Arnold At The Movies


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45 Films I've Given 5 Stars In The 2020s

4/9/2025

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My Top 16 Favorite Films

3/26/2025

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Best Films of 2024

2/14/2025

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Here are our picks for our Top 16 Films of 2024. Enjoy!


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Favorite Films of the Last 20 Years: 2004-2024

12/31/2024

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35 Favorite Horror Films

10/31/2024

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Growing up, I have always been a big fan of the horror genre: the thrills, the tension, the chills that go down your spine. Horror is an expansive genre that can cover much ground, from supernatural to physiological to serial killers to killer birds. It's a big tent that aims to frighten or shock its audience, always leaving them returning for more. Below, are 35 of my favorite horror films that I deeply love. –  Arnold At The Movies


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Planet of the Apes Ranked

8/20/2024

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To celebrate the release of this summer's Kingdom of the Planet of the Apes and also this 56-year-old science fiction post-apocalyptic franchise, I personally rank all 10 Planet of the Apes movies. Enjoy! – Arnold At The Movies


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Review: Dune: Part Two

4/6/2024

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Epic doesn’t even begin to describe Dune: Part Two. Filmmaker Denis Villeneuve’s Dune: Part Two is a massive cinematic achievement that left me in awe. A grand scale of direction and vision. From the direction to the acting to the score to the cinematography, Dune: Part Two excels in them all. See it on the biggest screen possible. Denis Villeneuve’s masterful sequel receives a 5-star review from me.


We await your orders, Lisan al-Gaib ... Lead them to paradise.

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Dune: Part Two is Denis Villeneuve’s highly anticipated sequel to his 2021 sci-fi epic, Dune. Based on the 1965 novel by Frank Herbert, Dune: Part Two follows the journey of Paul Atreides (a superb Timothée Chalamet). Paul is on a quest for revenge against those who killed his family in the previous film. In Part Two, Paul unites with Chani (a terrific Zendaya) and the Fremen while on a warpath of revenge against House Harkonnen and the Padishah Emperor Shaddam IV (a sly Christopher Walken). Paul will face a choice between the love of his life, Chani, and the fate of the known universe, on a path of destruction that only he can foresee. Part Two, much like past Greek stories and mythologies, is a tragedy.

Part Two doesn't necessarily take the path you want it to, but rather the path of characters evolving for their own selfish and power-hungry needs. Part Two also jumps into a world of religion and faith. With religion comes vulnerabilities that allows for a false prophet to come in and take control. Villeneuve is a masterful director, especially when it comes to science fiction films (2021's Dune, Blade Runner 2049, and Arrival). He's one of our greatest modern directors currently working in the industry. In addition, the cast for Part Two is stacked: Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, Austin Butler, Florence Pugh, Dave Bautista, Christopher Walken, Léa Seydoux, Souheila Yacoub, Stellan Skarsgård, Charlotte Rampling, and Javier Bardem. All of the actors brought their a-game, no matter how big or how small their part was in the film. Part Two is not just Paul's story but also Chani's story. An aspect I really appreciated.

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Cinematographer Greig Fraser (2021's Dune and The Batman) delivers another epic and breathtaking picture. You will be wowed. I was in awe of Fraser's breathtaking desert landscape. There's also a black-and-white sequence for House Harkonnen that is absolutely stunning. This is where we are introduced to Feyd-Rautha (a devilish Austin Butler). Furthermore, composer Hans Zimmer (The Lion King, The Dark Knight trilogy, Gladiator, Inception, and 2021's Dune) hammered a score so hot it will leave your ears ringing after the credits roll. Zimmer was on fire with Part Two; I could feel the score in my bones, the very essence of my core. Part Two is a movie I recommend seeing on the biggest screen possible. I was blessed to have seen it on IMAX, and it was worth every penny for the price of admission. The action does not let up in Part Two, keeping you on the edge of your seat for its hefty runtime of 165 minutes. This week, Legendary Pictures has already confirmed that Dune: Messiah is officially in development, gifting Villeneuve with his Dune trilogy on Paul Atreides story arc. Within a month, Part Two has already grossed $632.4 million at the worldwide box office. Part Two came, wowed, and conquered. I am excited for what Messiah has in store for us. Until then, "Long live the fighters."
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Want to hear more of my thoughts on Dune: Part Two? I spoke with my friends, Matt and Ashley, on their podcast Mashley at the Movies. Listen Here.

Dune: Part Two is rated PG-13 (Parents Strongly Cautioned) Sequences of Strong Violence | Brief Strong Language | Some Suggestive Material.

Directed by Denis Villeneuve

Starring Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, Austin Butler, Florence Pugh, Dave Bautista, Christopher Walken, Léa Seydoux, Souheila Yacoub, Stellan Skarsgård, Charlotte Rampling, and Javier Bardem.

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Re-Updated: Best Films of 2023

3/18/2024

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Lists are truly never final. We were able to catch up on some more movies we missed from 2023 and decided to re-update our Top 16 Films of 2023. — Arnold At The Movies


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Oscars: Best Animated Feature

2/26/2024

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The 96th Academy Awards gave us one of the best lineups for Best Animated Feature. I have always been a big fan of animation and its beautiful gift to cinema. Here, I review three nominated films (The Boy and the Heron, Robot Dreams, and Nimona). I was able to write reviews for Elemental and Spider-Man: Across the Spider-Verse last year. Enjoy!


The Boy and the Heron

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Filmmaker Hayao Miyazaki (Spirited Away, My Neighbor Totoro, Ponyo) is a master storyteller. I had many thoughts after seeing The Boy and the Heron last December. The Boy and the Heron is a dark, complex, and meditative look at grief. The Boy and the Heron showcases stunning animation throughout, along with Miyazaki's signature style that we've come to love. A stellar voice cast excels, not to mention actor Robert Pattinson brings out his little freak as The Gray Heron. He understood the assignment. I saw the English dubbed version, which consisted of actors Luca Padovan, Pattinson, Karen Fukuhara, Gemma Chan, Christian Bale, Mark Hamill, Florence Pugh, Willem Dafoe, and Dave Bautista.
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The Boy and the Heron is another Miyazaki masterpiece. Studio Ghibli's 24th feature film continues to showcase why Studio Ghibli is the best-animated studio out there. This fantasy-adventure follows the story of Mahito (voiced by an excellent Padovan), who loses his mother to a hospital fire during the Pacific War in Tokyo. Later on, Mahito and his father Shoichi (voiced by a strong Bale) decide to leave Tokyo and move to the family's estate in the countryside. Shoichi has remarried his late wife's sister, Natsuko (voiced by a wonderful Chan), who is also pregnant. Mahito has become distant from Natsuko as he is still mourning the loss of his late mother. At the family estate, Mahito discovers a mysterious ancient tower as well as a mischievous gray heron (a stellar Pattinson). After Natsuko disappears in the tower, Mahito and the gray heron go to find her in the land of the living and dead.

The Boy and the Heron covers a lot of ground, but Miyazaki and his team unveil it poetically. Yes, it would not be a Miyazaki movie if things did not get weird (which they do!), but it's always engrossing. I was captivated by this film from the beginning until the end. The gorgeous hand-drawn animation will bring tears to your eyes. The Boy and the Heron was my third favorite film to come out in 2023, and I'm hoping it goes all the way and wins the Oscar for Best Animated Feature this March, giving Miyazaki his second Oscar. I know Spider-Man: Across the Spider-Verse is the favorite for the Oscar, but I hope The Boy and the Heron can take the upset. Miyazaki's latest masterwork receives 5-stars from me.

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The Boy and the Heron is rated PG-13 (Parents Strongly Cautioned) For Smoking | Bloody Images | Some Violent Content.

Directed by Hayao Miyazaki

Japanese Voice Cast: Soma Santoki, Masaki Suda, Aimyon, Yoshino Kimura, Takuya Kimura, Shōhei Hino, Ko Shibasaki, Kaoru Kobayashi, and Jun Kunimura.

English Voice Cast: Luca Padovan, Robert Pattinson, Karen Fukuhara, Gemma Chan, Christian Bale, Mark Hamill, Florence Pugh, Willem Dafoe, and Dave Bautista.

Robot Dreams

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Robot Dreams is a moving, heartfelt, and sweet picture. This nonverbal story tells the bond between a dog and a robot. I had a lot of emotions after watching it. I continue to think about the level of depth this film showcases on friendship, love, loss, and moving on. Robot Dreams is a tragicomedy with lovely animation backed by a catchy soundtrack. I am so happy this Spanish-French film was nominated for an Oscar (Best Animated Feature). Our story follows 1980s Manhattan, where Dog lives alone. Dog is lonely and needs a companion. One day, while watching TV, Dog sees an advertisement for a robot friend and calls to order it immediately. When Robot arrives, Dog and him become instant friends. They explore Manhattan while listening to Earth, Wind & Fire's "September."
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Dog and Robot are inseparable throughout the summer. At the end of the summer, Dog takes Robot to the beach. After a long day of playing in the water and beach-going, Robot realizes that he has become too rusty and cannot move. Dog does not know what to do to rescue Robot and no one is around to help. Dog returns the next day but sees that the beach is now closed for the rest of the year, leaving Robot stuck on the beach by himself. I'll allow you to find out what comes next with this emotional roller coaster of love and loss. Robot Dreams' 2D style blossoms beautifully while the storyline explores the resilient spirit of New York City. Delightful, heartbreaking, and always engaging Robot Dreams cuts deep. NEON's North American theatrical release for Robot Dreams is this May (2024). So, mark your calendars and make sure you go out and see it. You won't be disappointed, I guarantee it. In the end, writer and director Pablo Berger's joyous film receives 5-stars from me.
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Robot Dreams is Not Rated (NR).

Written and Directed by Pablo Berger

Nimona

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Netflix's Nimona is a blast from start to finish. Nimona boasts a richly rewarding story along with gorgeous animation. Nimona is a deeply lovable animated feature that will sweep you off your feet. A splendid voice cast consisting of actors Chloë Grace Moretz, Riz Ahmed, Eugene Lee Yang, Frances Conroy, Lorraine Toussaint, Beck Bennett, RuPaul, Indya Moore, Julio Torres, and Sarah Sherman. Our story follows a futuristic medieval world where a knight, Ballister Boldheart (a wonderful Ahmed), is framed for a crime he didn't commit. Now, the only one who can help him prove his innocence is a shapeshifting creature named Nimona (a charismatic Grace Moretz). So, Nimona becomes Ballister's sidekick, and the adventure is on! Nimona also showcases a genuine LGBTQ storyline between Ballister and his boyfriend Ambrosius Goldenloin (a great Lee Yang). Ballister and Ambrosius' relationship is a wonderful addition to the story that riches the film as a whole.
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Back in 2021, Nimona was supposed to be released by Blue Sky Studios. Sadly, Disney had announced that they were going to be shutting down Blue Sky. This announcement left the film in limbo. In addition, Disney decided to pass on the film altogether. In 2022, controversy surrounded the Disney leadership as they passed on the film because of its LGBTQ themes and a same-sex kiss. Thankfully, in April of 2022, Annapurna Pictures announced that they had gone on to pick up the film and that Netflix would be releasing it in 2023. DNEG Animation also announced that they would be the project's animation partner. Look where we are now: Nimona is an Oscar-nominated film, was critically acclaimed, and was a huge hit on Netflix. I am thankful that Annapurna and Netflix helped save this marvelous movie. The animation is out-of-the-box, while the storyline is both heartwarming and funny. Nimona is full of heart and a fun-filled havoc. In the end, we get a little sense of anarchy that's a total delight. Netflix's Nimona receives 4 out of 5 stars from me.
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Nimona is rated PG (Parental Guidance) For Thematic Elements | Some Language | Rude Humor | Violence and Action.

Directed by
 Nick Bruno and Troy Quane

Starring
Chloë Grace Moretz, Riz Ahmed, Eugene Lee Yang, Frances Conroy, Lorraine Toussaint, Beck Bennett, RuPaul Charles, Indya Moore, Julio Torres, and Sarah Sherman.
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DCEU Ranked

1/24/2024

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After 10 long years, the DC Extended Universe is finally over, and Warner Bros. is rebooting it with James Gunn and Peter Safran's upcoming DC Universe franchise. The DCEU opened with the birth of Kal-El (Superman) in 2013's Man of Steel and closed with actor Patrick Wilson eating a cockroach cheeseburger in 2023's Aquaman and the Lost Kingdom (good scene!). Thus concluded this sometimes great, sometimes terrible, and always messy superhero franchise. Here's my personal ranking of all 16 films. — Arnold At The Movies


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Best Films of 2023

1/15/2024

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2023 concluded with another phenomenal year of cinematic achievements. We saw diverse storytelling, quiet masterpieces, three-hour biopics, powerful dramas, eye-popping animation, and bold filmmaking. Here are our picks for the 30 Best Films of 2023. Enjoy! — Arnold At The Movies


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2023 Podcast Reviews

1/10/2024

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In 2023, I was invited to be a guess podcast reviewer with Mashley at the Movies 18 times. My good friends, Matt and Ashley, have been reviewing movies since 2018. I highly recommend listening to their reviews and follow them on X and Instagram at @mashleymovies. Below are the 18 podcast reviews I did. Enjoy!


2023 Podcast Reviews on Mashley at the Movies

White Christmas

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12/25/23

Batman Returns

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12/21/23

All of Us Strangers

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11/29/23

Sleepless in Seattle

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11/4/23

Killers of the Flower Moon

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11/4/23

The Bride of Frankenstein

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10/29/23

The Exorcist (1973)

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10/20/23

Bottoms

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9/8/23

Mashley Movie Trivia #4

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8/16/23

Mission: Impossible (1996)

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7/20/23

Indiana Jones 5

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7/7/23

Brokeback Mountain

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6/28/23

Evil Dead Rise

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5/26/23

Mulholland Drive

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4/26/23

2023 Oscar Predictions

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3/5/23

Siren of the Tropics

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3/3/23

Tar / Aftersun / Best Movies of 2022

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2/10/23

Most Anticipated Films of 2023

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1/1/23
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Review: The Wonderful Story of Henry Sugar, The Swan, The Rat Catcher, Poison

10/9/2023

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Here, I reviewed Wes Anderson's collection of four new Short films based on author Roald Dahl's The Wonderful Story of Henry Sugar and Six More (1977).


The Wonderful Story of Henry Sugar

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Benedict Cumberbatch as Henry Sugar
I loved The Wonderful Story of Henry Sugar so much. I wish it were a little longer. I could have stayed in the wonderful little world of Henry Sugar forever. Clocking in at only 40 minutes, Wes Anderson uses the most of his face-paced, stylistic tone to whisk us through the breezy world of Henry Sugar (played by an incredible Benedict Cumberbatch). Anderson uses his characters in all four of his new Short films to speak the narration, like running a marathon. There's a sense of spiritual growth at the story's core, while the costume and production designs in this Short are some of the best I've seen this year for cinema. Henry Sugar opens into Anderson's jewel box of gorgeous set pieces, moving cameras, witty humor, and delightful storytelling. On top of Cumberbatch's superb performance are excellent performances from Ralph Fiennes, Dev Patel, and Ben Kingsley. Anderson moves his 40-minute Short in record speed, keeping the viewers engaged and our hearts open to this delightful story. Henry Sugar follows a variety of stories in one. The main storyline has to do with Henry Sugar (Cumberbatch) discovering a book that teaches him how to see through objects and predict the future. What Henry Sugar does with all of his earnings from playing blackjack on your own. The Wonderful Story of Henry Sugar is truly wonderful indeed.

The Wonderful Story of Henry Sugar is Rated PG (Parental Guidance) Smoking

Now Streaming on Netflix

Directed by Wes Anderson

Starring
Ralph Fiennes, Benedict Cumberbatch, Dev Patel, Ben Kingsley, and Richard Ayoade.

The Swan

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Actors Rupert Friend and Asa Jennings
The Swan is dark, breathtaking, and also heartbreaking. Wes Anderson's second Short is a complete 180 from his previous one. The Swan's tone and storyline are much darker and more tragic. Clocking in at a brisk 17 minutes, The Swan studies how trauma stays with an individual for years. Here, we follow a small, brilliant boy, Peter Watson, who loves nature and birds. Actors Rupert Friend and Asa Jennings both play Watson. Friend does the narration for this Short and is an older version of Watson looking back on this traumatizing event in his life. Jennings plays the younger version of Watson when that fateful event occurs. Jennings does not have any speaking roles, but his body language and acting chops are excellent throughout. The story follows Peter Watson, who is brutally tormented through a series of events by two large, idiotic bullies. One of these events involves the bullies strapping Watson down on train tracks, while the other involves a swan and a gun. I won't go into the heartbreaking events involving the swan. That's for you to uncover yourself. The Swan is extremely minimalistic in nature, but the moving set pieces and dark storyline kept me engaged. In the end, my heart was a little broken.

The Swan is Not Rated (NR)

Now Streaming on Netflix

Directed by Wes Anderson

Starring Rupert Friend, Asa Jennings, and
Ralph Fiennes.

The Rat Catcher

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The third feature, The Rat Catcher, is chock-full of screwball comedy. The Rat Catcher is probably the weakest of the four, but it's still a hilarious and oddball cinematic treat from Wes Anderson. Actors Richard Ayoade, Ralph Fiennes, and Rupert Friend showcase their comedic chops in this 17-minute-long Short film. While Fiennes lets his freak flag fly high as the eccentric "Rat Man." Our story follows a small English village that has a rat problem and needs to get rid of them. A reporter (Ayoade) and a mechanic (Friend) listen to Fiennes' wild tales of how he outwits his prey. Anderson uses some of his cheeky stop-motion in this Short. There is also a quick bit of comedic horror, shown through a series of close-up shots. Overall, The Rat Catcher is a breezy mix of quirky humor and bizarre storytelling.

The Rat Catcher is Not Rated (NR)

Now Streaming on Netflix

Directed by Wes Anderson

Starring Richard Ayoade, Ralph Fiennes, and Rupert Friend.

Poison

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Actors Dev Patel and Ben Kingsley
Poison is intense, fast-paced, and nail-biting. How Dev Patel can speak so fast is truly insane. Last but not least is Wes Anderson's final Short, Poison, from Roald Dahl's The Wonderful Story of Henry Sugar and Six More (1977). Poison is a race against the clock to save an Englishman (Benedict Cumberbatch) who had a poisonous snake slither underneath his covers and onto his stomach. Cumberbatch's fellow associate (Patel) and a local doctor (Ben Kingsley) race to save him from being bitten by the deadly reptile. The tension will send an adrenaline rush through your veins during this fast-moving 17-minute Short feature. Poison is a manically written feature that will keep you on the edge of your seat. Patel's narration is nail-biting, while Anderson uses a series of close-ups and shaky cams to throw you into the action. Poison was my second favorite Short film out of the four. It's a lovely blend of thrills and chills that kept me fully engaged until the final frame. I hope Anderson makes and releases more Dahl Shorts down the road. As for now, take a bow, Mr. Anderson.

Poison is Not Rated (NR)

Now Streaming on Netflix

Directed by Wes Anderson

Starring Benedict Cumberbatch, Dev Patel, and Ben Kingsley.

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Review: Oppenheimer and Barbie

7/29/2023

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A Barbenheimer Feature Review!


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Fan made "Barbenheimer" posters
Barbie and Oppenheimer are officially in theaters, and both have been a huge success (commercially and critically). It was announced last year that both Barbie and Oppenheimer would be released to theaters on the same day: July 21, 2023. That announcement unexpectedly took the internet by storm, and Barbenheimer was born. The term Barbenheimer stands for "an internet phenomenon that began circulating on social media before the simultaneous theatrical release of the two blockbuster films." It started to get everyone excited, including myself. Closer to the release date, people were securing tickets for a double feature of both Barbie and Oppenheimer on the same day. I have an 11-month-old (Charlotte), so Glynis and I had to split up Oppenheimer and Barbie within two days. We saw Oppenheimer first on Saturday the 22nd and Barbie second on Sunday the 23rd. Both of these movies receive a 5-star review from me. 

Oppenheimer

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"Prometheus stole fire from the gods and gave it to man. For this he was chained to a rock and tortured for eternity."


After seeing Oppenheimer and thinking about it, this movie is Christopher Nolan’s magnum opus. Oppenheimer is an incredible, haunting character study. The weight of Nolan's picture is enormous, and the film left me in awe. As of right now, this is the best movie I have seen this year. Christopher Nolan (The Dark Knight trilogy, Inception, and Dunkirk) is a masterful director, gifting us with smartly written blockbuster spectacles for over 20 years now. Nolan filmed Oppenheimer with a combination of IMAX 65 mm and 65 mm large-format film. Oppenheimer also made history by filming portions in IMAX black-and-white for the first time ever. Just when I thought no more future films of his could top 2017's masterpiece known as Dunkirk, Nolan goes out a makes Oppenheimer. Nolan's latest picture is a 3-hour biographical thriller that studies the life and moral complexities of American theoretical physicist: J. Robert Oppenheimer (played by an excellent Cillian Murphy). A genius and a monster, J. Robert Oppenheimer became the director of the Manhattan Project in Los Alamos during World War II. He is known as the "father of the atomic bomb."
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"Now I am become Death, the destroyer of worlds."


Now, Nolan's picture does not physically show the devastating effects of Hiroshima and Nagasaki (the horrific killing of +200,000 innocent Japanese civilians). However, we do see the moral weight of those grave decisions ripple throughout this film. “I have blood on my hands,” Oppenheimer exclaims to then President Truman (played by a sly Gary Oldman). It's a haunting conversation between these two figures. Murphy gives us a tour-de-force performance from start to finish. The film might be 3-hours long but it moves at a breakneck pace: keeping the audience on the edge of their seats. The beginning of the movie introduces us to a young Oppenheimer during his Cambridge years. In addition to his time with the Manhattan Project, we also follow the storyline of the Oppenheimer Security Hearings in 1954. Here, AEC (United States Atomic Energy Commission) commissioner Lewis Strauss (played by a masterful Robert Downey Jr.) is trying to remove Oppenheimer's Q clearance and political influence. Nolan uses his craft to paint portions of the movie in black-and-white and in color. Nolan has stated that the black-and-white scenes were "objective," while the color scenes were meant to be "subjective." This idea and construct worked very well for the picture as the color sequences were more from Oppenheimer's perspective and reflected back on what he had unleashed in the world. While the black-and-white sequences were used objectively in the picture during the 1954 Oppenheimer Security Hearings and Strauss' devilish schemes.
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"You are the man who gave them the power to destroy themselves. And the world is not prepared."


There is a scene that shows the full fledged horror of Oppenheimer's creation during his speech to the other scientists after the dropping of the atomic bombs. Hell is unleashed in this scene, while composer Ludwig Göransson's (Creed, Black Panther, and Tenet) electrifying score will send chills down your spine. Göransson's score is one of the very best from this year and deserves to win an Oscar. Yes, it's that good. Göransson used the violin as the central theme of Oppenheimer's score — gifting the audience with a beautiful and anxiety-driven composition. The Trinity bomb testing sequence is also an adrenaline rush due Göransson's tension fueled score and it's one of my favorite scenes of the year. On top of Nolan's meticulously crafted direction and writing, is also the film's powerful performances by his band of actors. It's a sprawling list that includes actors Cillian Murphy, Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, Kenneth Branagh, Benny Safdie, Dane DeHaan, Jason Clarke, David Krumholtz, Tom Conti, Alden Ehrenreich, Jack Quaid, Josh Peck, David Dastmalchian, Gary Oldman and James Remar.

Even if some of these actors only have a handful of lines, all of them bring their A-game. Murphy and Downey Jr. both deserve Oscar noms for their impeccable on-screen incarnations. Lastly, Hoyte van Hoytema's (Interstellar, Dunkirk, Ad Astra, and Nope) cinematography is gobsmacking to watch on the big screen. Beautiful and terrifying, I was in awe of van Hoytema's perfectly constructed shots. Van Hoytema has only been nominated once for an Oscar (Dunkirk), which is a shame because he has given us some of the most beautifully shot films in the last 20 years. I hope he is recognized next year by the Academy. In the end, Oppenheimer is a harrowing picture that grapples with the consequences of one's decisions. As Oppenheimer contemplates what he has unleashed in the world, the ripple effects begin to spiral out of control. Our government has abused its power, and empathy in this new world is even harder to find. Oppenheimer is Nolan's magnum opus. His latest feature is a cinematic achievement, a visual grandeur, emotionally resonant, and terrifyingly brilliant. A world on fire and forever altered. 

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Here's my ranking of Christopher Nolan's entire filmography via Letterboxd. Click Here.

Oppenheimer's opening weekend grabbed a stellar $82.5 million domestically and it has already passed $400 million worldwide during its second box office weekend. Simply incredible.

Oppenheimer is rated R (Restricted) For
Nudity | Language | Some Sexuality.

Directed by Christopher Nolan

Starring
Cillian Murphy, Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, Kenneth Branagh, Benny Safdie, Dane DeHaan, Jason Clarke, David Krumholtz, Tom Conti, Alden Ehrenreich, Jack Quaid, Josh Peck, David Dastmalchian, Gary Oldman and James Remar.

Barbie

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"Hi, Barbie!"


These Barbies are ready to take on the patriarchy. Greta Gerwig’s (Lady Bird and 2019's Little Women) Barbie is a bubblegum swirl of camp, charm, and subversive storytelling. Her picture dazzles and wows throughout. Actors Margot Robbie and Ryan Gosling are perfect as Barbie and Ken. You’ll laugh. You’ll cry. You will be moved. From the moment Gerwig's Barbie opened to a parody of Stanley Kubrick's 2001: A Space Odyssey, I knew this film was going to be special. Based on Mattel's fashion doll, Barbie was created by American businesswoman Ruth Handler and launched in 1959. Gerwig's movie is everything I could have hoped for and more. From the extravagant production designs to the colorful costumes to the hilarious campy tone, Barbie offers a cinematic treat for audiences of all ages. Plus, there is a killer soundtrack throughout. Gerwig and her partner Noah Baumbach's (Frances Ha and Marriage Story) electric script is also incredibly moving and even poignant at times. Gerwig's picture is a journey to self-discovery, maturity, and finding one's purpose in this messy world.
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“My job… is just beach.” — Ken


Our story leads us to Barbieland, a matriarchal society where all of the Barbies are successful and self-sufficient. The Barbies in this world hold all of the positions: politician, doctor, lawyer, and even a Nobel Peace Prize winner. While their Ken counterparts enjoy their days engaged in mindless activities on the beach. Margot Robbie's Barbie is known as "Stereotypical" Barbie and Ryan Gosling's Ken is known as "Beach" Ken. Gosling's Ken is wanting to have a deeper relationship with Barbie (Robbie), but she only sees him as a friend and enjoys her independence. That is until she begins to have thoughts about death. “Do you guys ever think about dying?” Suddenly, this Barbie is having a full-on existential crisis. This crisis leads Barbie to travel to the real world, and Ken decides to tag along as her No. 2. I don't want to go much further into the plot — otherwise — I could accidentally spoil the rest of the movie. Barbie is a funny, empowering, and even moving summer blockbuster. Gerwig gives us another hit, and it's one of the best films of the year. An exquisite picture about growing up that is both raw and imaginative. Barbie is heavily stylized, taking a well-known IP and molding it in just the right way for the big screen. Even the brand extension in this movie is done with taste and pizzazz.

Gerwig even focuses on the Kens, not just the Barbies. We see them also grow and find their own identities outside the shadows of their Barbie. Yes, you are "Kenough." Through all that glam and glitter is a beating heart waiting to discover the world. One might even shed a tear by the end of this picture, something that I would not have expected in a Barbie movie. Yet, I was deeply moved. The supporting cast (America Ferrera, Kate McKinnon, Michael Cera, Issa Rae, Rhea Perlman, Emma Mackey, Hari Nef, Simu Liu, Kingsley Ben-Adir, Ncuti Gatwa, Ariana Greenblatt, Will Ferrell, and Helen Mirren) all excel in the film. Actress America Ferrera quite possibly gives us the best monologue of the year and Michael Cera, you will always be THE Allan. While Gosling is
absolutely
hilarious as Ken, and I cannot get his catchy song "I'm Just Ken" out of my head. The "I'm Just Ken" dance sequence is my favorite scene of the year, thus far. Gosling was born to play this role. Give this man his Oscar already. In addition, Robbie gives us another Oscar-worthy performance in a role she was also born to play. Barbie is a weird, glamorous, and zany-filled cinematic treat waiting to be watched on the big screen. You won't be disappointed unless you have a heart made of stone. So, "come on, Barbie, let's go party."
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"Humans have only one ending. Ideas live for ever."


Want to know my thoughts on the Barbie soundtrack? I wrote an album review for Sound Words Central. Click Here.

Barbie smashed so many records on its opening weekend and brought in an eye-popping $162 million domestically. Barbie has already crossed $700 million worldwide in its second box office weekend. It's only a matter of time before Barbie becomes a "Barbillionaire."

Barbie is rated PG-13 (Parents Strongly Cautioned)
For Suggestive References | Brief Language.

Directed by Greta Gerwig

Starring Margot Robbie, Ryan Gosling,
America Ferrera, Kate McKinnon, Michael Cera, Issa Rae, Rhea Perlman, Emma Mackey, Hari Nef, Simu Liu, Kingsley Ben-Adir, Ncuti Gatwa, Ariana Greenblatt, Will Ferrell, and Helen Mirren.
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Review: Indiana Jones and the Dial of Destiny

7/25/2023

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Indiana Jones and the Dial of Destiny is a great send-off to our aging and beloved archaeologist. Though Dial of Destiny has some minor flaws, the film is too much fun to dismiss.


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"There was room for one more story and that story was the one that dealt with age, time, and relationships in his family."
— Harrison Ford


Dial of Destiny is an old-fashioned, rousing adventure that holds the spirit of past Indy films. Plus, Harrison Ford gives a franchise-best performance in the role he was born to play. Dial of Destiny will be the final appearance for our whip-slinging archaeologist, played by the legendary Harrison Ford. Ford has been Indy since 1981 when the first and best film (Raiders of the Lost Ark) came out. Forty-two years later and five feature films of grand ole adventures — four films directed by Steven Spielberg (Raiders of the Lost Ark, The Temple of Doom, The Last Crusade, and The Kingdom of the Crystal Skull). James Mangold (Logan and Ford v Ferrari) took up the helm for this latest picture, and overall, Mangold did a pretty good job. Dial of Destiny lacks the "Spielberg magic" that was captured in the previous four films. However, Mangold's picture is still a satisfying and heartfelt watch. Plus, John Williams' score is perfection.

So, the year is 1969: Marion Ravenwood (the wonderful Karen Allen) has left Indy, NASA is getting ready to send a man to the moon, the Nazis are working to relocate the Dial, and Indy is getting ready to retire from teaching. Cue Indy's charismatic goddaughter (a fun Phoebe Waller-Bridge), who leaps in and gets Indy and Jürgen Voller (a sly Mads Mikkelsen), a former Nazi who works for NASA, tangled back up with the Archimedes' Dial (an Antikythera mechanism). A new adventure that sends our batch of heroes and foes through the streets of New York City to the city of Tangier to the caves of Sicily. 
Dial of Destiny also showcases a 20-minute opening sequence of a younger digitally de-aged Ford fighting Nazis in the French Alps of 1944. I enjoyed this opening sequence, but I completely understand people not liking it due to the overuse of de-aging. It's a little distracting, but I got used to it, and Ford's performance is welcoming. Ford packs in an emotional punch during the film's 154-minute runtime, while Mangold honors the legacy of this franchise.

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"...knitting the whole thing together just a little bit more, and feeling a kind of roundness in all of the different stories we've told. I'm more comfortable leaving him at this place than he was at the end of Crystal Skull." — Ford


Certain action sequences were messy — including the tuk-tuk chase sequence in Tangier. However, the film never loses that sense of fun or entertainment. Dial of Destiny might not rise to the level of art that Raiders of the Lost Ark or The Last Crusade did, nor does it have to. In the end, we get to see our favorite archaeologist one more time on the big screen with a worthy send-off that tips its hat to the audience. One thing I did appreciate about this movie was how it dealt with an aging hero. Ford is now 81 years old, and this film tackles the pains of getting older and how some nostalgia is not good. Our heroes and villains discover that some things are meant to be left in the past. Lastly, this film had no right having a budget of $300 million. Nothing can justify that bloat, and unfortunately, it hurt this movie at the box office.

Dial of Destiny opened domestically with $60.4 million, which would have been good for a 42-year franchise. Yet, you stack that opening to a $300 million budget, and you are in trouble. As of today, Dial of Destiny has grossed $159 million domestically and $176 internationally for a worldwide total of $335 million. Sadly, because the budget was so large, this deems Dial of Destiny as a box office bomb. Other summer films (Fast X, The Flash, and Mission: Impossible – Dead Reckoning Part One) are finding out the hard way with ginormous budgets and lackluster results at the box office. Studios need to learn that the sky is not the limit when it comes to a film's budget. Nevertheless, do not let that stop you from seeing Dial of Destiny in the theaters. There is still time to see our beloved Indiana Jones on the big screen one more time. 

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"Thanks for putting up with me, I hope you've had a good time… I sure have." — Ford


Want to hear more of my thoughts about Dial of Destiny? I spoke with my good friends Matt and Ashley (Mashley at the Movies) about Harrison Ford's final adventure. Click Here.

Here's my final Indiana Jones films ranking via Letterboxd. Click Here.

Indiana Jones and the Dial of Destiny is rated PG-13 (Parents Strongly Cautioned) For Language | Action | Sequences of Violence | Smoking.

Directed by James Mangold

Starring Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas, John Rhys-Davies, Toby Jones, Boyd Holbrook, Ethann Isidore, and Mads Mikkelsen.

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Review: Elemental

7/19/2023

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Elemental is a good Pixar film. It's sweet, heartwarming, and the animation dazzles throughout. Pixar's newest feature film is a metaphor for the immigrant experience that's blended with a romantic storyline. In the end, Elemental is incredibly moving.


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A month ago, I was getting ready to see Wes Anderson's Asteroid City in theaters, or so I thought. When I realized that Asteroid City was starting as a limited release (New York City and Los Angeles) before expanding to wide later in the month. It was Father's Day weekend, and Glynis and I were already on the road to my parent's house to drop off baby Charlotte. I still really wanted to see a movie, so we switched gears and decided to see Pixar's Elemental instead (and I am glad we did). Though Elemental tells similar Pixar beats and tunes, what grabbed me was its impressive animation, vivid score (the great Thomas Newman), and deeply personal story by director Peter Sohn (2015's The Good Dinosaur). The allegories run deep and personal in this movie — while an excellent voice cast (Leah Lewis, Mamoudou Athie, Ronnie del Carmen, Shila Ommi, Wendi McLendon-Covey, and Catherine O'Hara) backs up the stories center core.
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Sohn based this movie's storyline on his own experience growing up in New York City with two Korean immigrant parents. Sohn's parents moved to the Bronx in the '70s and opened their own grocery store. Similarly, Ember's (voiced by a wonderful Leah Lewis) Fire element parents immigrate to Element City. Bernie and Cinder (Ronnie del Carmen and Shila Ommi) struggle to find a home due to xenophobia from the other elements. They have a daughter, Ember, and eventually establish a convenience store called the Fireplace. Within this store and their home: Bernie and Cinder set up a Blue Flame representing their heritage and traditions. As Ember gets older, Bernie intends to give the store to her when he retires. However, she has trouble controlling her fiery temper. Another key inspiration from Sohn was marrying his wife (who is non-Korean). This is the second plotline that runs through Elemental, as Wade (voiced by a gentle Mamoudou Athie) makes a splash into Ember's world. Wade is a Water element, posing the question: can opposites attract? The second plotline is where we get more of the romantic aspects guiding us through Fire and Water — attracting and reacting.
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Ember and Wade's relationship blossoms naturally on screen, while Pixar continues to tug at one's heartstrings. Being in an interracial marriage myself, Elemental was a lovely story to see on the big screen. What has also been impressive is Elemental's box office legs this summer. What could have been disastrous after opening at a small $29.5 million: has turned out to be the little engine that could story. Because of a very strong word-of-mouth, Elemental has continued to bring in the cash day after day. Elemental has now domestically grossed $126.9 million and internationally grossed $187.5 million, for a worldwide gross of $314.5 million. Some estimates say that it could finish somewhere between the 420-500 million range.

So, I am thrilled that this movie got a second life and did not become a box office failure like it easily could have. Due to its grade "A" CinemaScore and families continuing to come see it over the last month, this picture has made one of the best box office rebounds in recent memory. Now, the sad reason why 
Elemental started off this way is that Disney did a terrible job marketing this movie, and Disney has conditioned families to expect Pixar films to only be released on Disney+ (Soul, Luca, and Turning Red). Here's to hoping that Pixar continues to strive for more future theatrical releases. In the end, Elemental is a beautiful picture inside and out, and it is definitely worth your time. Dazzling, funny, and heartfelt, Elemental is one of the most special movies of the summer. 

Elemental is rated PG (Parental Guidance) For
Some Peril | Brief Language | Thematic Elements

Directed by
Peter Sohn

Starring Leah Lewis, Mamoudou Athie, Ronnie del Carmen, Shila Ommi, Wendi McLendon-Covey, and Catherine O'Hara.

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Review: Guardians of the Galaxy Vol. 3 and Spider-Man: Across the Spider-Verse

6/27/2023

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A Double Feature Review! 2 Great Superhero Films.


Guardians of the Galaxy Vol. 3

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I got choked up a couple of times in this one. Guardians of the Galaxy Vol. 3 is a wonderful conclusion to James Gunn’s trilogy: engaging, heartfelt, and beautifully done. Gunn has completed his Guardians trilogy for the Marvel Cinematic Universe (MCU), leaving viewers with a satisfying conclusion to one of the best comic book trilogies to ever come out. Vol. 3 is the most mature feature of the three Guardians movies. Gunn delivers poignant and heart-strung storytelling through our beloved group of misfits. Vol. 3 follows Rocket's (voiced by an incredible Bradley Cooper) storyline, digging deeper into his past. Lylla, Teefs, and Floor (voiced by Linda Cardellini, Asim Chaudhry, and Mikaela Hoover): you will be forever loved. In addition, actors Chris Pratt, Zoe Saldaña, Dave Bautista, Karen Gillan, Pom Klementieff, Vin Diesel, Sean Gunn, Maria Bakalova, and Chukwudi Iwuji all showcase their great acting chops. 
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Vol. 3 is top-notch acting that's also backed with vibrant action and witty humor. Not to mention, another killer soundtrack that keeps things rockin' and rollin' throughout. Vol. 3 was refreshing to see on the big screen after getting the terrible Ant-Man and the Wasp: Quantumania earlier this year. Vol. 3 is absolutely Gunn's movie, avoiding any Marvel pitfalls or formulas that have hindered past MCU productions. Gunn uses the two hours and 30-minute runtime to his advantage, gifting us with a well-paced feature full of visual splendor and emotional heartache. As of today, Gunn's final Guardians film has grossed $830 million worldwide. In the end, Guardians of the Galaxy Vol. 3 is a swan song for our band of misfits that's written with heart and soul. 

Guardians of the Galaxy Vol. 3 is rated PG-13 (Parents Strongly Cautioned) For I
ntense Sequences of Violence | Action | Strong Language | Suggestive/Drug References | Thematic Elements

Directed by James Gunn

Starring
Chris Pratt, Zoe Saldaña, Bradley Cooper, Dave Bautista, Karen Gillan, Pom Klementieff, Vin Diesel, Sean Gunn, Maria Bakalova, Linda Cardellini, Asim Chaudhry, and Mikaela Hoover, and Chukwudi Iwuji.

Here's my current film ranking of the MCU: Click Here

Spider-Man: Across the Spider-Verse

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Spider-Man: Across the Spider-Verse is an incredible accomplishment for cinema. Across the Spider-Verse boasts gorgeous animation that pushes the boundaries of the visual medium. I was in awe from the first frame to that final cliffhanger. Across the Spider-Verse moves fast with its plot but never loses its heart. Possibly one of the greatest sequels and animated films I have ever experienced on the big screen. 2018 gifted us with Spider-Man: Into the Spider-Verse, a picture full of heart and love for The Amazing Spider-Man comic book storyline. The animation was stunning because it showcased a blend of both 2D and 3D animation. Now, 5-years later, we meet back up with Miles Morales (voiced by a great Shameik Moore), Gwen Stacy (voiced by a wonderful Hailee Steinfeld), and other friends (or possible enemies).
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Miles is trying to balance life of being a son, a student, and Spider-Man. Balancing all of this is pretty challenging, and Miles feels the pressure caving in on him. Enter his greatest nemesis to come... Spot (voiced by a vibrant Jason Schwartzman). And don't let a bagel hit you in the head, or you could go down a rabbit hole like Spot did. Miles also misses Gwen, who is from Earth-65, while he is on Earth-1610. When Miles finally sees Gwen again, he finds out that she is part of an elite team of Spider-People who protect the multiverse. This Spider-Society is led by Miguel O'Hara / Spider-Man 2099 (voiced by a sly Oscar Isaac). As we leap into the Spider-Verse, our heroes will clash, and Miles must redefine what it means to be Spider-Man. So this is as far as I will go with the plot. Across the Spider-Verse also boasts an excellent voice cast consisting of Moore, Steinfeld, Schwartzman, Isaac, Brian Tyree Henry, Luna Lauren Vélez, Jake Johnson, Issa Rae, Karan Soni, Shea Whigham, Greta Lee, Daniel Kaluuya, and Mahershala Ali.
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In addition to the voice cast is the absolutely stunning animation. Here we continue to get blends of 2D and 3D animation, plus additional styles of breathtaking visuals. There were six different types of animation styles used throughout this film. The animators have gotten bolder and more abstract, pushing boundaries to greater heights. My favorite style was the watercolor paintings presented in Gwen's world: beautiful, bold, and some of the best sequences of animation I have ever seen. Clocking in at 140 minutes, Across the Spider-Verse is the longest animated film to date. The film has already made $560 million since its June 2nd release date, and I really hope that this movie can get recognized by The Academy next year. Across the Spider-Verse deserves to be nominated for Best Picture. In the end, Across the Spider-Verse is one of the best films of 2023. Five-stars. 

Spider-Man: Across the Spider-Verse is rated PG (Parental Guidance)
For Some Language | Animated Action Violence | Thematic Elements

Directed by
Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson

Starring Shameik Moore, Hailee Steinfeld, Jason Schwartzman, Oscar Isaac, Brian Tyree Henry, Luna Lauren Vélez, Jake Johnson, Issa Rae, Karan Soni, Shea Whigham, Greta Lee, Daniel Kaluuya, and Mahershala Ali.

Here's my current Spider-Man franchise ranking: Click Here

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Evil Dead Rise

6/7/2023

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Evil Dead Rise is a wild film from start to finish: intense, gory, and emotionally grounded. 


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Actress Alyssa Sutherland as Ellie
Evil Dead Rise is bloody thrilling and layered with the sick and twisted nature this franchise has provided before. Lee Cronin’s film is a roller coaster of horror and visual trips. I had a blast. I have always been a big fan of the Evil Dead franchise: from the gory mayhem unleashed on our characters to the black comedy hiding around every corner. This franchise has continued to thrill and surprise me over and over again. With the exception of Army of Darkness, most of the Evil Dead movies (1981's The Evil Dead, Evil Dead II, and 2013's Evil Dead) have taken place with a group of friends in a cabin in the woods. While Evil Dead Rise does start out in a cabin in the woods, but it quickly changes settings to a condemned Los Angeles apartment complex.
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Actress Lily Sullivan as beth
For me, this was a refreshing change of pace that made the newest horror picture feel more fresh and exciting. Here, we follow a family consisting of two estranged sisters and their children. Actress Lily Sullivan plays Beth, an on-the-road guitar technician who has recently found out that she is pregnant. Actress Alyssa Sutherland plays Ellie, the other sister who is a tattoo artist and single mother to three children (Danny, Bridget, and Kassie). Ellie and her kids currently live in the condemned L.A. apartment complex and are packing to move out. So, Beth comes to visit her sister's family, an earthquake happens, and Danny finds the Book of the Dead in the rubble. Of course, Danny stupidly opens the Book of the Dead, and the mayhem is unleashed. There's blood, more blood, and then there's tons of blood.

Yet, what made this film so thrilling was the way that Cronin moved that camera around. He also used some incredibly brilliant camera techniques like shooting through a peephole in the apartment door. This type of camera technique and style made the film all the more intriguing. On top of the great camera movements and bloody thrills; are the excellent acting chops from actors Sullivan, Sutherland, Morgan Davies (Danny), Gabrielle Echols (Bridget), and Nell Fisher (Kassie). Evil Dead Rise also had one of the coolest opening title sequences in recent memory. I knew I was in for a treat when I saw that title appear on the screen. Plus, I don't think I can ever look at a cheese grater the same. For me, this film is one of the biggest surprises to come out in 2023. Evil Dead Rise bloody came, conquered, and left me wanting more.

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Actress Anna-Maree Thomas
Evil Dead Rise is rated R (Restricted) For Some Language | Gore | Strong Bloody Horror Violence.

Directed by
Lee Cronin

Starring Lily Sullivan, Alyssa Sutherland, Morgan Davies, Gabrielle Echols, and Nell Fisher.

Here's my current Evil Dead Ranking via Letterboxd.

Want to hear more of my thoughts? I spoke with my good friend Matt on his podcast, Mashley at the Movies, about Evil Dead Rise. Listen Here.

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Review: Peter Pan & Wendy

6/1/2023

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David Lowery (The Green Knight and Pete's Dragon) is very good at reimagining and remaking classic Disney films.


Just like he did with Pete’s Dragon (2016), Lowery’s artistry is overflowing in this picture. Peter Pan & Wendy is fun, charming, and delightful. The diverse cast shines along with a great Jude Law as Captain Hook. Though Lowery's newest feature should have received a theatrical release, it is still worth your time to stream on Disney+. The story of Peter Pan & Wendy is nothing revolutionary or game-changing; it is still very much a by-the-books adaptation of the boy who never grew up. However, what I admired in this newest version of Pan was a more mature sense and structure to our characters and their stories. Lowery's picture is very much grounded in realism and wonder, while the scenery and visuals will sweep you off of your feet. Plus, Lowery approached this film through a more modern lens and avoided past racial stereotypes that plagued the 1953 animated film.
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Alyssa Wapanatâhk as Tiger Lily and Alexander Molony as Peter Pan
I loved seeing that Peter Pan and Tinker Bell were both played by actors of color (Alexander Molony and Yara Shahidi). On top of the diverse cast of actors, I loved seeing Lost Girls (Diana Tsoy, Florence Bensberg, Kelsey Yates, and Skyler Yates) as a part of the Lost Boys group and that one of the Lost Boys has Down's Syndrome (actor Noah Matthews Matofsky). This has made Matofsky the first actor with Down's Syndrome to land a major role in a Disney film. I loved that they made Tiger Lily a three-dimensional character and not a caricature like in past productions. Cree actress Alyssa Wapanatâhk (Bigstone Cree Nation) brought her own indigeneity to the role of Tiger Lily. Wapanatâhk also spoke her own native language during the film, and all of the background actors in her village were of Indigenous talent, including Wapanatâhk's stunt doubles.

One can see the authenticity of Tiger Lily and her tribe throughout this picture. Sadly, there has been a bigoted audience campaign of review bombers for this film, flooding movie sites like IMDb and Rotten Tomatoes. These negative reviewers who have flooded these sites with their racist reviews should be ignored and not hinder you from watching this movie. Not liking a movie is okay, but attacking it because the cast is more diverse is not okay. Looking past this, I hope you find the same sense of wonder and magic as I did while watching it. I am always excited to see what Lowery does next with his career. Lowery's craftsmanship with fantasy and adventure continues to grow and expand. Lastly, both the score (composer
Daniel Hart) and the cinematography (Bojan Bazelli) helped excel the picture as a whole. In the end, Peter Pan & Wendy is a film that the whole family can and will enjoy. For now, sit back and watch the magic unfold with the boy who never grew up. 

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Yara Shahidi as Tinker Bell
Peter Pan & Wendy is rated PG For Peril | Violence | Thematic Elements

Directed by David Lowery

Now Streaming on Disney+

Starring
Jude Law, Alexander Molony, Ever Anderson, Yara Shahidi, Alyssa Wapanatâhk, Joshua Pickering, Jacobi Jupe, Molly Parker, Alan Tudyk, and Jim Gaffigan as Mr. Smee.

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David Lynch Ranked

4/21/2023

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David Lynch has been in the filmmaking business for nearly 60 years. Lynch's work has helped shape the film industry and has given us some of the greatest films ever made. Known for his dreamy, psychological, and surrealist works, Lynch is one of the most important filmmakers of our current era. He even got a term (Lynchian) dubbed after him, meaning films that have a dream-like quality, surrealist elements, and meticulous sound designs. However, his filmography has been a large blind spot for me. So, this month I decided to sit down and go through his entire filmography. Here, I have personally ranked all 10 of his films. Enjoy! — Arnold At The Movies


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Studio Ghibli Ranked

3/27/2023

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For almost 40 years, Studio Ghibli has been leading the way in superb animation, magical storytelling, mythical creatures, grand adventures, and captivating themes. They are one of my favorite studios and have made some of my all-time favorite films. These films capture your heart and open your eyes to a world of imagination and wonder. I decided to rank all of the current 23 Studio Ghibli films. — Arnold At The Movies


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    I love film and I love to write, so I thought, why not combine the two? I currently review new movies I see in theaters, on VOD, or streaming.

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