Flawed on every level, this star-studded package of sappiness makes Collateral Beauty plunge into a state of hilarity.
Universally panned by critics, Collateral Beauty makes the Hallmark Channel look like Best Picture. Yes, that’s how bad this film actually is. While the film is well-meant, nevertheless, Will Smith’s latest dud is fundamentally weak. The star-studded cast consisting of Smith, Helen Mirren, Edward Norton, Michael Peña, Naomie Harris, Keira Knightley and Kate Winslet are completely wasted throughout the entire film.
Grinding my teeth raw, here’s the plot: When a successful New York advertising executive (Smith) suffers a great tragedy he isolates himself from life. Though his friends are concerned and try desperately to reconnect with him, Howard (Smith) seeks answers from the universe by writing letters to Love, Time and Death. Director David Frankel’s (The Devil Wears Prada and Marley & Me) film is a wannabe tearjerker that lacks all emotional depth itself.
Take Manchester by the Sea, a film that gets it right when it comes to displaying tragedy and emotional turmoil in one’s life. Manchester, by all means, is a far superior film when it comes to filming heartache and loss through the lens of a camera. I would rather watch Manchester by the Sea over-and-over again any given day, before sitting through another showing of Collateral Beauty. The cynical nature rooted within Smith's film will not entertain but frustrate. Collateral Beauty is one of 2016’s worst films and will leave you wanting to wash that bad stench off yourself afterwards.
Collateral Beauty is rated PG-13 (Parents Strongly Cautioned). For thematic elements and brief strong language.
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